Cannes: «The Island», de Kamen Kalev (5.50) 2 votos

Cannes: «The Island», de Kamen Kalev (5.50) 2 votos

por - Críticas
17 May, 2011 06:53 | Sin comentarios

QUINCENA DE REALIZADORES Sophie and Daneel, both in their early thirties, are a close and passionate couple living in Paris. Sophie initiates a surprise journey to Bulgaria. Daneel explicitly refuses to go, but Sophie insists and finally convinces him to leave. When they arrive, Sophie discovers that Daneel was born there… After a few hours […]

QUINCENA DE REALIZADORES

Sophie and Daneel, both in their early thirties, are a close and passionate couple living in Paris. Sophie initiates a surprise journey to Bulgaria. Daneel explicitly refuses to go, but Sophie insists and finally convinces him to leave. When they arrive, Sophie discovers that Daneel was born there…
After a few hours spent on the crowded beaches, Daneel leads Sophie to an almost abandoned island lost in the Black Sea. Once there, Daneel discovers pregnancy tests in Sophie’s luggage. The heat and the strange few inhabitants soon alter their own behaviors, and the island slowly reveals hidden fears that question their love. To get through it all, they have to take a leap into the unknown…

VOTANTES, MEDIOS Y CALIFICACIONES



FERNANDO GANZO (Lumiere, España) –

CARLOS HEREDERO (Cahiers du cinéma, España) –

LUCIANO MONTEAGUDO (Página12, Argentina) –

ROGER ALAN KOZA (La Voz del Interior / Con los ojos abiertos, Argentina) –

MARK PERANSON (Cinema Scope, Canada) –

EULALIA IGLESIAS (Rockdelux, Cahiers du cinéma, España) –

DIEGO BATLLE (La Nación / OtrosCines, Argentina) –

CRISTINA NORD (Die Tageszeitung, Germany) –

MARKUS KEUSCHNIGG (Die Presse, Austria) –

KONG RITHDEE (The Bangkok Post. Thailand) –

FRANCISCO FERREIRA (Expresso, Portugal) –

VIOLETA KOVACSICS (Diari de Tarragona, España) –

JAIME PENA (El Amante, Argentina y Cahiers du cinéma, España) –  3

OLIVIER PERE (Les Inrockuptibles, France) –

EUGENIO RENZI (Independencia, France) –

LUCIANO BARISONE (Duellanti / Panoramiches, Italy) –

CARLO CHATRIAN (Duellanti / Panoramiches, Italy) –  8

JOSE LUIS DE LORENZO (A Sala Llena, Argentina) –

FERNANDO JUAN LIMA (El Amante, Argentina) –

XAVI SERRA (Ara, España) –

ERNESTO GARRATT (El Mercurio, Chile) –

NICK JAMES (Sight & Sound, England) –

SERGI SANCHEZ (La Razón, España) –

SARA BRITO (Público, España) –

SCOTT FOUNDAS (Film Comment, U.S.) –

SERGIO WOLF (BAFICI, Argentina) –

RUDIGER SUCHSLAND (FAZ / Negativ, Germany) –

ALVARO ARROBA (La Lectora Provisoria, Argentina) –

PABLO O. SCHOLZ (Clarín, Argentina) –

NANDO SALVA (El Periódico, España) –

PEDRO BUTCHER (Filme B / Folha de Sao Paulo, Brasil) –

GABRIELE BARRERA (Nick FilmTV / Best Movie / Cinecritica, Italy) –

PAMELA BIENZOBAS (Mabuse, Chile) –

MANU YAÑEZ (Fotogramas, España) –

GREGORY VALENS (Positif, France) –

CHRISTOPH HUBER (Die Presse, Austria) –

MARCELO ALDERETE (Mar del Plata Film Festival, Argentina) –

BELINDA VAN DE GRAAF (Trouw, Holanda) –

ARTHUR MAS (Independencia, France) –

MARTIAL PISANI (Independencia, France) –

CARLOS REVIRIEGO (El Cultural / Cahiers du cinéma, España) –

ALEJANDRO G. CALVO (SensaCine, España) –

ANCHALEE CHAIWORAPORN (Siam Rath, Image Magazine, Thailand) –

PROMEDIO: 5,50 (2 votos)