Set in a Danish wellness camp, Emilie Thalund’s film portrays a teenager’s awakening with a mix of tenderness and unease, confronting the fragility of adolescence and adult responsibility.

Padre e hijo van a un hotel abandonado en Portugal donde surgen historias de terror en esta mezcla de documental y ficción del director de «O futebol».

François Ozon takes on the ultimate challenge: translating Meursault’s enigmatic indifference from page to screen, crafting a faithful and unsettling adaptation of Albert Camus’s famous 1942 novel.

La película da vida al mundo existencial y despojado de Albert Camus, explorando visualmente el desapego, el absurdo y el enigma irresoluble de Meursault.

At 17, Ainara believes she hears God’s voice and wants to join a cloistered convent. Alauda Ruiz de Azúa’s film captures her determination with humor, mystery, and empathy, refusing to judge whether faith is delusion or destiny.

Una adolescente aparentemente convencional anuncia que quiere ingresar a un convento. La directora de «Cinco lobitos» muestra cómo esa decisión sacude a toda una familia, con ternura, ironía y una mirada abierta.

Half a century after its release, ‘Dog Day Afternoon’ remains a tense, vibrant, and uncomfortably relevant portrait of desperation, media spectacle, and a city in crisis.

The French director adapts Bernard-Marie Koltès’s ‘Black Battles with Dogs’ into a desert standoff between a foreman (Matt Dillon) and a local man (Isaach de Bankolé) demanding his brother’s body. What might have worked on stage plays out on screen as a repetitive duel that drains rather than deepens the conflict.

La realizadora francesa adapta la obra «Black Battles with Dogs» de Bernard-Marie Koltès y la transforma en un duelo desértico entre un capataz (Matt Dillon) y un hombre local (Isaach de Bankolé) que exige el cuerpo de su hermano fallecido en misteriosas circunstancias.

Between glossy runways and fragile bodies, the drama reveals the pressure, ambition, and vulnerability behind the glamour of Paris Fashion Week.