In a near-future where China’s largest film studio is collapsing into obsolescence, a lonely caretaker escapes into a virtual reality world—only to find love, purpose, and a dangerous illusion that may cost him everything in both realities.
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‘Light Pillar’ Berlinale Review: Melancholy in the Age of Simulation
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‘Rose’ Berlinale Review: Identity, Survival and Patriarchy in a 17th-Century Village
In the aftermath of the Thirty Years’ War, a woman settles in a remote village posing as a man—only to discover that power, belonging and even marriage may depend less on truth than on performance.
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Berlinale 2026: crítica de «Rose», de Markus Schleinzer (Competición)
Una mujer llega a una aldea alemana en el siglo XVII, se hace pasar por hombre, se integra a la sociedad y se casa en ese drama austríaco de época protagonizado por Sandra Hüller.
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Berlinale 2026: crítica de «The Ballad of Judas Priest», de Sam Dunn y Tom Morello (Special Midnight)
Este documental se ocupa de contar la larga y complicada historia de la banda clave del heavy metal británico, con más de 50 años de carrera.
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‘The Ballad of Judas Priest’ Berlinale Review: How Leather, Guitars, and Pure Attitude Shaped Heavy Metal
A fearless chronicle of Judas Priest’s rise—from Birmingham’s industrial streets to global metal icons—celebrating their music, their image, and the fans who swear by them.
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Berlinale 2026: crítica de «Rosebush Pruning», de Karim Aïnouz (Competición)
Una familia billonaria profundamente disfuncional implosiona desde adentro cuando la llegada de una extraña altera sus rutinas perversas en esta sátira negrísima sobre el privilegio, la crueldad y la autodestrucción.
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‘Rosebush Pruning’ Berlinale Review: Ultra-Wealthy and Utterly Unhinged
A dysfunctional billionaire family implodes from within when an outsider disrupts their warped routines in this pitch-black satire of privilege, cruelty, and mutual destruction.
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‘If I Were Alive’ Berlinale Review: Close Encounters in Minas Gerais
A couple who meet in adolescence grow old together and face health issues in this Brazilian film that blends observational realism with science fiction.
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‘WAX & GOLD’ Berlinale Review: Ruth Beckermann Tracks Power and Its Echoes in Contemporary Ethiopia
A stay at Addis Ababa’s Hilton becomes the starting point for Ruth Beckermann’s layered exploration of Ethiopia’s imperial past, fractured present, and the hidden meanings that connect them.
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Berlinale 2026: crítica de «Se eu fosse vivo… vivia», de André Novais Oliveira (Panorama)
Una pareja que se conoce en la adolescencia llega junta a la vejez y lidia con problemas de salud en esta película brasileña que mezcla realismo con ciencia ficción.


