An unlikely team of rookie operatives is thrown into 1980s Britain’s drug underworld in this sharp, fast-moving crime drama based on a true story.
-
‘Legends’ Review: Steve Coogan Powers a Retro, High-Stakes Netflix Thriller
-
‘Unconditional’ Review: A Daughter’s Arrest Turns Into a Dark Mystery
An Israeli mother fights to free her daughter jailed in Russia, only to uncover a web of lies that challenges everything she thought she knew.
-
‘CIA’ Review: The Case for Old-School TV Amid Prestige TV Excess
A rule-breaking CIA agent and a by-the-book FBI counterpart are forced to team up, tackling threats in brisk, self-contained episodes that favor action over depth.
-
‘My Father’s Shadow’ Review: Childhood, Memory, and Political Upheaval in Nigeria
Two brothers spend a rare day with their distant father in Lagos as Nigeria’s 1993 election unfolds, revealing fragments of a life they barely understand.
-
‘Borderline’ Review: Pop Stardom Meets Unhinged Devotion
A mentally unstable fan escapes confinement and, with two equally unhinged accomplices, sets out to forcibly wed a pop icon he believes is his soulmate.
-
‘My Dearest Señorita’ Review: Netflix Reimagines a Controversial Spanish Classic for a More Inclusive Era
A shy, middle-aged woman uncovers a hidden intersex past and reinvents herself in Madrid, where freedom, fear, and a new chosen family reshape her life.
-
‘Man on Fire’ Review: Netflix Turns the Denzel Washington Classic Into a Hard-Edged Series
A traumatized ex-CIA operative protects a teenage survivor while uncovering a deadly conspiracy, battling his past and enemies closing in from all sides.
-
‘Two Pianos’ Review: Desplechin Strikes a Chord Between Mystery and Melodrama
Arnaud Desplechin’s latest film blends mystery and intimate drama, following a pianist whose return home sets off a spiral of secrets, obsessions, and family reckonings.
-
‘The Boss – Season 4’ Review: Argentina’s Most Cynical Series Ends on a Repetitive Note
As Eliseo gains influence at the highest levels, old enemies and new schemes collide, exposing the limits of his cunning in an increasingly repetitive and cynical world.
-
‘All You Need to Make a Movie Is a Gun’ Review: Found Footage and the Politics of Memory
An Argentine filmmaker uncovers lost student films from the 1960s–70s, reconstructing lives shaped by political upheaval, repression, and cinema’s enduring power as memory and resistance. Shown at the Rotterdam, BAFICI and FICIC film festivals.



