Micropsia
Un blog de Diego Lerer
28.06.2026
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  • ‘Legends’ Review: Steve Coogan Powers a Retro, High-Stakes Netflix Thriller

    por Diego Lerer - Críticas, Estrenos, Online, Reviews, Series, Streaming
    08 May, 2026 05:31 | Sin comentarios
    ‘Legends’ Review: Steve Coogan Powers a Retro, High-Stakes Netflix Thriller

    An unlikely team of rookie operatives is thrown into 1980s Britain’s drug underworld in this sharp, fast-moving crime drama based on a true story.

  • ‘Unconditional’ Review: A Daughter’s Arrest Turns Into a Dark Mystery

    por Diego Lerer - Críticas, Estrenos, Online, Reviews, Series, Streaming
    08 May, 2026 04:05 | Sin comentarios
    ‘Unconditional’ Review: A Daughter’s Arrest Turns Into a Dark Mystery

    An Israeli mother fights to free her daughter jailed in Russia, only to uncover a web of lies that challenges everything she thought she knew.

  • ‘CIA’ Review: The Case for Old-School TV Amid Prestige TV Excess

    por Diego Lerer - Críticas, Estrenos, Online, Reviews, Series, Streaming
    06 May, 2026 08:10 | Sin comentarios
    ‘CIA’ Review: The Case for Old-School TV Amid Prestige TV Excess

    A rule-breaking CIA agent and a by-the-book FBI counterpart are forced to team up, tackling threats in brisk, self-contained episodes that favor action over depth.

  • ‘My Father’s Shadow’ Review: Childhood, Memory, and Political Upheaval in Nigeria

    por Diego Lerer - cine, Críticas, Estrenos, Online, Reviews, Streaming
    05 May, 2026 08:17 | Sin comentarios
    ‘My Father’s Shadow’ Review: Childhood, Memory, and Political Upheaval in Nigeria

    Two brothers spend a rare day with their distant father in Lagos as Nigeria’s 1993 election unfolds, revealing fragments of a life they barely understand.

  • ‘Borderline’ Review: Pop Stardom Meets Unhinged Devotion

    por Diego Lerer - cine, Críticas, Estrenos, Online, Reviews, Streaming
    04 May, 2026 12:07 | Sin comentarios
    ‘Borderline’ Review: Pop Stardom Meets Unhinged Devotion

    A mentally unstable fan escapes confinement and, with two equally unhinged accomplices, sets out to forcibly wed a pop icon he believes is his soulmate.

  • ‘My Dearest Señorita’ Review: Netflix Reimagines a Controversial Spanish Classic for a More Inclusive Era

    por Diego Lerer - cine, Críticas, Estrenos, Online, Reviews, Streaming
    01 May, 2026 11:53 | Sin comentarios
    ‘My Dearest Señorita’ Review: Netflix Reimagines a Controversial Spanish Classic for a More Inclusive Era

    A shy, middle-aged woman uncovers a hidden intersex past and reinvents herself in Madrid, where freedom, fear, and a new chosen family reshape her life.

  • ‘Man on Fire’ Review: Netflix Turns the Denzel Washington Classic Into a Hard-Edged Series

    por Diego Lerer - Críticas, Estrenos, Online, Reviews, Series, Streaming
    30 Abr, 2026 05:23 | Sin comentarios
    ‘Man on Fire’ Review: Netflix Turns the Denzel Washington Classic Into a Hard-Edged Series

    A traumatized ex-CIA operative protects a teenage survivor while uncovering a deadly conspiracy, battling his past and enemies closing in from all sides.

  • ‘Two Pianos’ Review: Desplechin Strikes a Chord Between Mystery and Melodrama

    por Diego Lerer - cine, Críticas, Estrenos, Reviews
    30 Abr, 2026 12:24 | Sin comentarios
    ‘Two Pianos’ Review: Desplechin Strikes a Chord Between Mystery and Melodrama

    Arnaud Desplechin’s latest film blends mystery and intimate drama, following a pianist whose return home sets off a spiral of secrets, obsessions, and family reckonings.

  • ‘The Boss – Season 4’ Review: Argentina’s Most Cynical Series Ends on a Repetitive Note

    por Diego Lerer - Críticas, Estrenos, Online, Reviews, Series, Streaming
    30 Abr, 2026 12:20 | Sin comentarios
    ‘The Boss – Season 4’ Review: Argentina’s Most Cynical Series Ends on a Repetitive Note

    As Eliseo gains influence at the highest levels, old enemies and new schemes collide, exposing the limits of his cunning in an increasingly repetitive and cynical world.

  • ‘All You Need to Make a Movie Is a Gun’ Review: Found Footage and the Politics of Memory

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    30 Abr, 2026 09:20 | Sin comentarios
    ‘All You Need to Make a Movie Is a Gun’ Review: Found Footage and the Politics of Memory

    An Argentine filmmaker uncovers lost student films from the 1960s–70s, reconstructing lives shaped by political upheaval, repression, and cinema’s enduring power as memory and resistance. Shown at the Rotterdam, BAFICI and FICIC film festivals.

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Nuestra Comunidad
  • Otros CinesLa mirada de Diego Batlle sobre cine, en Argentina y en el exterior
  • Otros Cines / EuropaUna perspectiva europea bajo la dirección de Manu Yañez
  • Otros Cines / TVSeries y otras novedades de la TV por Pablo Manzotti
  • Con los Ojos AbiertosCríticas, crónicas de festivales y apuntes sobre cine por Roger Koza
  • Otros Cines / PerúCine peruano y mundial, desde Lima, por John Campos Gómez
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