Micropsia
Un blog de Diego Lerer
14.05.2026
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  • ‘The Ballad of Judas Priest’ Berlinale Review: How Leather, Guitars, and Pure Attitude Shaped Heavy Metal

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    15 Feb, 2026 03:15 | Sin comentarios
    ‘The Ballad of Judas Priest’ Berlinale Review: How Leather, Guitars, and Pure Attitude Shaped Heavy Metal

    A fearless chronicle of Judas Priest’s rise—from Birmingham’s industrial streets to global metal icons—celebrating their music, their image, and the fans who swear by them.

  • ‘Rosebush Pruning’ Berlinale Review: Ultra-Wealthy and Utterly Unhinged

    por Diego Lerer - cine, Críticas, Estrenos, Festivales, Reviews
    15 Feb, 2026 12:30 | Sin comentarios
    ‘Rosebush Pruning’ Berlinale Review: Ultra-Wealthy and Utterly Unhinged

    A dysfunctional billionaire family implodes from within when an outsider disrupts their warped routines in this pitch-black satire of privilege, cruelty, and mutual destruction.

  • ‘If I Were Alive’ Berlinale Review: Close Encounters in Minas Gerais

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    15 Feb, 2026 11:50 | Sin comentarios
    ‘If I Were Alive’ Berlinale Review: Close Encounters in Minas Gerais

    A couple who meet in adolescence grow old together and face health issues in this Brazilian film that blends observational realism with science fiction.

  • ‘WAX & GOLD’ Berlinale Review: Ruth Beckermann Tracks Power and Its Echoes in Contemporary Ethiopia

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    15 Feb, 2026 11:46 | Sin comentarios
    ‘WAX & GOLD’ Berlinale Review: Ruth Beckermann Tracks Power and Its Echoes in Contemporary Ethiopia

    A stay at Addis Ababa’s Hilton becomes the starting point for Ruth Beckermann’s layered exploration of Ethiopia’s imperial past, fractured present, and the hidden meanings that connect them.

  • ‘Everything Else Is Noise’ Berlinale Review: Interview as Performance, Art as Negotiation

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    14 Feb, 2026 08:46 | Sin comentarios
    ‘Everything Else Is Noise’ Berlinale Review: Interview as Performance, Art as Negotiation

    A televised interview in a borrowed apartment spirals into a wry chamber piece about artistic identity, generational tensions, and the quiet sexism embedded in the world of contemporary music.

  • ‘Nightborn’ Berlinale Review: A Folk Horror Take on First-Time Motherhood

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    14 Feb, 2026 06:30 | Sin comentarios
    ‘Nightborn’ Berlinale Review: A Folk Horror Take on First-Time Motherhood

    Dreaming of a perfect family life, Saga and her husband Jon move to her childhood home in a remote Finnish forest—only for Saga to become convinced that something is terribly wrong with their newborn baby.

  • ‘Paradise’ Berlinale Review: Teen Lives Collide Across Two Continents

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    14 Feb, 2026 03:00 | Sin comentarios
    ‘Paradise’ Berlinale Review: Teen Lives Collide Across Two Continents

    Two young men —one from Ghana, the other from Canada— are brought together by their respective searches for information about their absent fathers.

  • ‘Forest Up in the Mountain’ Berlinale Review: Cinema, Testimony and a State Killing

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    14 Feb, 2026 02:30 | Sin comentarios
    ‘Forest Up in the Mountain’ Berlinale Review: Cinema, Testimony and a State Killing

    This documentary pieces together a violent death through court records, personal accounts, and the unresolved history of a land dispute involving the Mapuche Nation in Patagonia.

  • ‘Dao’ Berlinale Review: Mapping Identity Through Two Ceremonies

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    14 Feb, 2026 02:18 | Sin comentarios
    ‘Dao’ Berlinale Review: Mapping Identity Through Two Ceremonies

    A mother and daughter reconnect with their shared roots across a funeral in Guinea-Bissau and a wedding in France, in a hybrid film that blurs the boundaries between ritual, performance, and lived experience.

  • ‘A Child of My Own’ Berlinale Review: A Gentle True Crime Fable

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    13 Feb, 2026 09:09 | Sin comentarios
    ‘A Child of My Own’ Berlinale Review: A Gentle True Crime Fable

    Family pressure to become a mother leads Alejandra into deeply problematic situations in this documentary-fiction hybrid shot in Mexico by the Chilean filmmaker Maite Alberdi. A Netflix release.

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Nuestra Comunidad
  • Otros CinesLa mirada de Diego Batlle sobre cine, en Argentina y en el exterior
  • Otros Cines / EuropaUna perspectiva europea bajo la dirección de Manu Yañez
  • Otros Cines / TVSeries y otras novedades de la TV por Pablo Manzotti
  • Con los Ojos AbiertosCríticas, crónicas de festivales y apuntes sobre cine por Roger Koza
  • Otros Cines / PerúCine peruano y mundial, desde Lima, por John Campos Gómez
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