A fearless chronicle of Judas Priest’s rise—from Birmingham’s industrial streets to global metal icons—celebrating their music, their image, and the fans who swear by them.
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‘The Ballad of Judas Priest’ Berlinale Review: How Leather, Guitars, and Pure Attitude Shaped Heavy Metal
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‘Rosebush Pruning’ Berlinale Review: Ultra-Wealthy and Utterly Unhinged
A dysfunctional billionaire family implodes from within when an outsider disrupts their warped routines in this pitch-black satire of privilege, cruelty, and mutual destruction.
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‘If I Were Alive’ Berlinale Review: Close Encounters in Minas Gerais
A couple who meet in adolescence grow old together and face health issues in this Brazilian film that blends observational realism with science fiction.
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‘WAX & GOLD’ Berlinale Review: Ruth Beckermann Tracks Power and Its Echoes in Contemporary Ethiopia
A stay at Addis Ababa’s Hilton becomes the starting point for Ruth Beckermann’s layered exploration of Ethiopia’s imperial past, fractured present, and the hidden meanings that connect them.
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‘Everything Else Is Noise’ Berlinale Review: Interview as Performance, Art as Negotiation
A televised interview in a borrowed apartment spirals into a wry chamber piece about artistic identity, generational tensions, and the quiet sexism embedded in the world of contemporary music.
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‘Nightborn’ Berlinale Review: A Folk Horror Take on First-Time Motherhood
Dreaming of a perfect family life, Saga and her husband Jon move to her childhood home in a remote Finnish forest—only for Saga to become convinced that something is terribly wrong with their newborn baby.
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‘Paradise’ Berlinale Review: Teen Lives Collide Across Two Continents
Two young men —one from Ghana, the other from Canada— are brought together by their respective searches for information about their absent fathers.
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‘Forest Up in the Mountain’ Berlinale Review: Cinema, Testimony and a State Killing
This documentary pieces together a violent death through court records, personal accounts, and the unresolved history of a land dispute involving the Mapuche Nation in Patagonia.
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‘Dao’ Berlinale Review: Mapping Identity Through Two Ceremonies
A mother and daughter reconnect with their shared roots across a funeral in Guinea-Bissau and a wedding in France, in a hybrid film that blurs the boundaries between ritual, performance, and lived experience.
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‘A Child of My Own’ Berlinale Review: A Gentle True Crime Fable
Family pressure to become a mother leads Alejandra into deeply problematic situations in this documentary-fiction hybrid shot in Mexico by the Chilean filmmaker Maite Alberdi. A Netflix release.


