A lyrical film about war, memory, and the fragile intimacy between men, Gabriel Azorín’s first movie unfolds in the hushed atmosphere of a bathhouse.
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‘Last Night I Conquered the City of Thebes’ Venice Review: Gabriel Azorín Finds Intimacy in the Ruins
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‘My Tennis Maestro’ Venice Review: a coming-of-age on and off the court
Pierfrancesco Favino plays a former tennis star who begins coaching a young prodigy in this Italian dramedy premiering at the Venice Film Festival.
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‘Nuestra Tierra’ Venice Review: Memory, Justice, and the Killing That Shook a Community
This documentary focuses on the murder of Indigenous leader Javier Chocobar and on his community’s long struggle to achieve justice. It screens out of competition at the Venice Film Festival.
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‘Holy Boy’ Venice Review: A Haunting Fable of Pain, Healing, and Horror
Paolo Strippoli’s unsettling horror film reimagines trauma and healing through a disturbing ritual in a remote Italian village. Starring Michele Rondino and Giulio Feltri.
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‘My Father and Qaddafi’ Venice Review: A Personal Quest Amid a Nation’s Turmoil
Libyan filmmaker Jihan K explores her father’s mysterious disappearance under Qaddafi’s regime, intertwining a personal story with the nation’s complex history.
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‘Milk Teeth’ Venice Review: A Childhood Shattered Amid the Fall of a Dictatorship
Romania, 1989. The twilight of Nicolae Ceaușescu’s dictatorship. In a small, isolated town, Maria, a ten-year-old girl, is the last person to witness her sister disappearing before her eyes. Torn apart by the loss, she tries to make sense of a new, terrifying reality.
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‘Director’s Diary’ Venice Review: Aleksandr Sokurov’s Exhaustive Chronicle of a Changing World
The Russian director of Mother and Son revisits the major world events that took place between 1957 and 1991 in this documentary built from his diaries and archival footage.
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‘Strange River’ Venice Review: A Quiet Portrait of Desire in Motion
Jaume Claret Muxart’s debut feature turns a family cycling trip along the Danube into a tender, melancholic portrait of adolescence. In Orizzonti.
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‘Stereo Girls’ Venice Review: A Pop-Infused Tale of Friendship and Loss
Caroline Deruas Peano’s film begins as a nostalgic pop comedy about two inseparable girls in 1990s France, only to transform into a moving exploration of grief, memory and the fragile bridge between adolescence and adulthood.
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‘A Sad and Beautiful World’ Venice Review: A Lebanese Love Story in Tumultuous Times
A poignant love story that spans decades, this Lebanese film explores how romance endures amid personal change and societal upheaval. In Venice Days.