An American actor adrift in Tokyo finds unexpected purpose working for a company that rents out family members, forcing him to navigate fabricated relationships, cultural misunderstandings, and his own emotional void.
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‘Rental Family’ Review: A Soft-Edged Cross-Cultural Tale of Reinvention
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‘Lilith Fair: Building a Mystery’ Review: Mocked, Misunderstood, and Ultimately Vindicated
A documentary revisits the women-led touring festival that challenged rock’s gender rules in the late 1990s. Once dismissed as a joke, Lilith Fair is reexamined as a necessary response to the exclusion of women from rock’s mainstream culture.
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Estrenos online: crítica de «Lilith Fair: Mujeres que cambiaron la música» («Lilith Fair: Building a Mystery»), de Ally Pankiw (Disney+)
Un documental revisa el festival itinerante liderado por mujeres que, a fines de los ’90, cuestionó las reglas de género del rock y fue ridiculizado hasta que el tiempo le dio la razón.
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‘Honey Don’t!’ Review: Ethan Coen’s Pulpy, Irreverent Crime Detour
A lesbian private detective investigates the death of a woman under suspicious circumstances while falling for a local police officer. Starring Margaret Qualley, Aubrey Plaza, and Chris Evans.
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Estrenos: crítica de «La empleada» («The Housemaid»), de Paul Feig
Contratada por una familia adinerada, una empleada doméstica queda atrapada en una violenta pesadilla donde chocan las clases sociales, el poder y el deseo. Con Sydney Sweeney y Amanda Seyfried. Estreno en cines: 1 de enero.
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‘Sirat’ Review: Lost Souls on a Road Trip Through the Moroccan Desert
A father searching for his missing daughter joins a group of ravers on a perilous journey through the Moroccan desert, where a free party slowly mutates into an existential road movie marked by danger, loss, and growing unease.
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‘The Housemaid’ Review: A ’90s Thriller Reheated for the Present
Hired to work for a wealthy family, a housemaid with a criminal past becomes trapped in a domestic nightmare where class, power and desire collide. Starring Sydney Sweeney and Amanda Seyfried.
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Estrenos: crítica de «Avatar: fuego y cenizas» («Avatar: Fire and Ash»), de James Cameron
La tercera entrega de «Avatar» oscila entre la armonía espiritual y la guerra total, dejando en claro que el verdadero mundo de James Cameron no es Pandora, sino el cine.
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‘Avatar: Fire and Ash’ Review: The War for Peace in Pandora
The third Avatar film drifts between spiritual harmony and all-out warfare, proving once again that Cameron’s true planet isn’t Pandora, but cinema itself.
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Oscars 2026: críticas de las precandidatas al mejor film internacional
Aquí van los enlaces a las críticas de 11 de las 15 películas que quedaron ayer en la «lista corta» (shortlist) para las nominaciones al Oscar a mejor film internacional.
