Un curador de arte de origen búlgaro, radicado en Canadá desde hace 30 años, vuelve a su país natal a certificar si la obra de una artista de 8 años de Bulgaria la pinta ella o no. El viaje y el encuentro le remueven sus convicciones.
Tag "Berlinale 2026"
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Berlinale 2026: crítica de «Nina Roza», de Geneviève Dulude-de Celles (Competición)
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‘At the Sea’ Berlinale Review: Amy Adams Dances Around Generational Trauma
After leaving alcohol rehab, a woman returns to her Cape Cod home and attempts to rebuild her fractured family while confronting the inherited trauma of her father—and an identity that threatens to pull her back under.
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Berlinale 2026: crítica de «Lust», de Ralitza Petrova (Forum)
Cuando Lilian es llamada de regreso a su pueblo natal para resolver la muerte de su padre ausente, lo que debería ser un breve trámite administrativo se convierte en un limbo burocrático y personal.
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‘Lust’ Berlinale Review: A Glacial Study of Control and Collapse
When Lilian is summoned back to her hometown to settle the death of an absent father, what should be a brief administrative detour unravels into unresolved debts, institutional inertia, and a decaying body caught in bureaucratic limbo.
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‘The River Train’ Berlinale Review: A Kid, a City, and the Ghost of Leonardo Favio
Milo dreams of escaping the pressures of family life of becoming a great Malambo dancer by setting out on his own toward the wonders of Buenos Aires.
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Berlinale 2026: crítica de «Light Pillar» («Han Ye Deng Zhu»), de Xu Za (Perspectives)
En este film chino de animación, un empleado de un decadente estudio de cine a punto de cerrar se mete en un mundo de Realidad Virtual y allí se enamora de una chica.
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‘Light Pillar’ Berlinale Review: Melancholy in the Age of Simulation
In a near-future where China’s largest film studio is collapsing into obsolescence, a lonely caretaker escapes into a virtual reality world—only to find love, purpose, and a dangerous illusion that may cost him everything in both realities.
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‘Rose’ Berlinale Review: Identity, Survival and Patriarchy in a 17th-Century Village
In the aftermath of the Thirty Years’ War, a woman settles in a remote village posing as a man—only to discover that power, belonging and even marriage may depend less on truth than on performance.
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Berlinale 2026: crítica de «Rose», de Markus Schleinzer (Competición)
Una mujer llega a una aldea alemana en el siglo XVII, se hace pasar por hombre, se integra a la sociedad y se casa en ese drama austríaco de época protagonizado por Sandra Hüller.
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‘The Ballad of Judas Priest’ Berlinale Review: How Leather, Guitars, and Pure Attitude Shaped Heavy Metal
A fearless chronicle of Judas Priest’s rise—from Birmingham’s industrial streets to global metal icons—celebrating their music, their image, and the fans who swear by them.
