Cannes 2011: “Busong”, de Auraeus Solito (5.40) 6 votos

Cannes 2011: “Busong”, de Auraeus Solito (5.40) 6 votos

por - Críticas
17 May, 2011 07:32 | Sin comentarios

QUINCENA DE REALIZADORES Busong is the indigenous Palawan concept of Fate or instant Karma. Nature reacts instantly to man’s disrespect of nature and other men. Punay was born with wounds in her feet so that she cannot step on the earth. Her brother, Angkarang, carries her through a hammock, as he searches the changing landscape […]

QUINCENA DE REALIZADORES

Busong is the indigenous Palawan concept of Fate or instant Karma. Nature reacts instantly to man’s disrespect of nature and other men. Punay was born with wounds in her feet so that she cannot step on the earth. Her brother, Angkarang, carries her through a hammock, as he searches the changing landscape of Palawan in hoping to find a healer who can cure Punay. Different people help him carry his sister along the way- a woman looking for her husband, a fisherman who lost his boat and a young man who is searching for himself- and each one meets their fate. The first Palawanon indigenous film.

VOTANTES, MEDIOS Y CALIFICACIONES

FERNANDO GANZO (Lumiere, España) –

CARLOS HEREDERO (Cahiers du cinéma, España) –

LUCIANO MONTEAGUDO (Página12, Argentina) –

ROGER ALAN KOZA (La Voz del Interior / Con los ojos abiertos, Argentina) –

MARK PERANSON (Cinema Scope, Canada) –

EULALIA IGLESIAS (Rockdelux, Cahiers du cinéma, España) –

DIEGO BATLLE (La Nación / OtrosCines, Argentina) –

CRISTINA NORD (Die Tageszeitung, Germany) –

MARKUS KEUSCHNIGG (Die Presse, Austria) –

KONG RITHDEE (The Bangkok Post. Thailand) –

FRANCISCO FERREIRA (Expresso, Portugal) –

VIOLETA KOVACSICS (Diari de Tarragona, España) –

JAIME PENA (El Amante, Argentina y Cahiers du cinéma, España) –  4

OLIVIER PERE (Les Inrockuptibles, France) –

EUGENIO RENZI (Independencia, France) –

LUCIANO BARISONE (Duellanti / Panoramiches, Italy) –

CARLO CHATRIAN (Duellanti / Panoramiches, Italy) –  6

JOSE LUIS DE LORENZO (A Sala Llena, Argentina) –

FERNANDO JUAN LIMA (El Amante, Argentina) –

XAVI SERRA (Ara, España) –

ERNESTO GARRATT (El Mercurio, Chile) –

NICK JAMES (Sight & Sound, England) –

SERGI SANCHEZ (La Razón, España) –

SARA BRITO (Público, España) –

SCOTT FOUNDAS (Film Comment, U.S.) –

SERGIO WOLF (BAFICI, Argentina) –

RUDIGER SUCHSLAND (FAZ / Negativ, Germany) –

ALVARO ARROBA (La Lectora Provisoria, Argentina) –  4.5

PABLO O. SCHOLZ (Clarín, Argentina) –

NANDO SALVA (El Periódico, España) –

PEDRO BUTCHER (Filme B / Folha de Sao Paulo, Brasil) –

GABRIELE BARRERA (Nick FilmTV / Best Movie / Cinecritica, Italy) –

PAMELA BIENZOBAS (Mabuse, Chile) –

MANU YAÑEZ (Fotogramas, España) –

GREGORY VALENS (Positif, France) –

PAOLO BERTOLIN (Cineforum, Italia) – 6.50

MARCELO ALDERETE (Mar del Plata Film Festival, Argentina) –

BELINDA VAN DE GRAAF (Trouw, Holanda) –

ARTHUR MAS (Independencia, France) –

MARTIAL PISANI (Independencia, France) –

CARLOS REVIRIEGO (El Cultural / Cahiers du cinéma, España) –  6

ALEJANDRO G. CALVO (SensaCine, España) –

ANCHALEE CHAIWORAPORN (Siam Rath, Image Magazine, Thailand) –

 

PROMEDIO: 5.40 (6 votos)