Cannes 2011: “Guilty of Romance”, de Sion Sono (8.17) 7 votos

Cannes 2011: “Guilty of Romance”, de Sion Sono (8.17) 7 votos

por - Críticas
19 May, 2011 03:17 | Sin comentarios

QUINCENA DE REALIZADORES Guilty of Romance is said to be the third film of the so-called “Hate Saga” (which includes Love Exposure & Cold Fish). A movie in which Sion Sono “depicted [his] love, respect, and fear towards women”. Intriguing? Yes! The story is about 3 different women, a cop, a professor and a housewise, […]

QUINCENA DE REALIZADORES

Guilty of Romance is said to be the third film of the so-called “Hate Saga” (which includes Love Exposure & Cold Fish). A movie in which Sion Sono “depicted [his] love, respect, and fear towards women”. Intriguing? Yes!

The story is about 3 different women, a cop, a professor and a housewise, linked in some strange way. Seems like each one of them is trying to get away from their daily routine, trying to express their deep inner desires. The producer originally said the film will be “sensitive in Japan”, due to several sex scenes. But this erotically charged thriller should also deal with some other provocating themes, like death, madness and family.

VOTANTES, MEDIOS Y CALIFICACIONES

FERNANDO GANZO (Lumiere, España) – 5.50

CARLOS HEREDERO (Cahiers du cinéma, España) –

LUCIANO MONTEAGUDO (Página12, Argentina) –

ROGER ALAN KOZA (La Voz del Interior / Con los ojos abiertos, Argentina) – 8

MARK PERANSON (Cinema Scope, Canada) –

EULALIA IGLESIAS (Rockdelux, Cahiers du cinéma, España) –

DIEGO BATLLE (La Nación / OtrosCines, Argentina) –

CRISTINA NORD (Die Tageszeitung, Germany) –

MARKUS KEUSCHNIGG (Die Presse, Austria) –

KONG RITHDEE (The Bangkok Post. Thailand) –

FRANCISCO FERREIRA (Expresso, Portugal) –

VIOLETA KOVACSICS (Diari de Tarragona, España) –  9.2

JAIME PENA (El Amante, Argentina y Cahiers du cinéma, España) –  7.5

OLIVIER PERE (Les Inrockuptibles, France) –

EUGENIO RENZI (Independencia, France) –

LUCIANO BARISONE (Duellanti / Panoramiches, Italy) –

CARLO CHATRIAN (Duellanti / Panoramiches, Italy) –

JOSE LUIS DE LORENZO (A Sala Llena, Argentina) –

FERNANDO JUAN LIMA (El Amante, Argentina) –  9.5

XAVI SERRA (Ara, España) –

ERNESTO GARRATT (El Mercurio, Chile) –

NICK JAMES (Sight & Sound, England) –

SERGI SANCHEZ (La Razón, España) –

SARA BRITO (Público, España) –

SCOTT FOUNDAS (Film Comment, U.S.) –

SERGIO WOLF (BAFICI, Argentina) –

RUDIGER SUCHSLAND (FAZ / Negativ, Germany) –

ALVARO ARROBA (La Lectora Provisoria, Argentina) –

PABLO O. SCHOLZ (Clarín, Argentina) –

NANDO SALVA (El Periódico, España) –

PEDRO BUTCHER (Filme B / Folha de Sao Paulo, Brasil) –

GABRIELE BARRERA (Nick FilmTV / Best Movie / Cinecritica, Italy) –

PAMELA BIENZOBAS (Mabuse, Chile) –

MANU YAÑEZ (Fotogramas, España) –

GREGORY VALENS (Positif, France) –

CHRISTOPH HUBER (Die Presse, Austria) –

PAOLO BERTOLIN (Cineforum, Italia) – 9.50

MARCELO ALDERETE (Mar del Plata Film Festival, Argentina) –  8

BELINDA VAN DE GRAAF (Trouw, Holanda) –

ARTHUR MAS (Independencia, France) –

MARTIAL PISANI (Independencia, France) –

CARLOS REVIRIEGO (El Cultural / Cahiers du cinéma, España) –

ALEJANDRO G. CALVO (SensaCine, España) –

ANCHALEE CHAIWORAPORN (Siam Rath, Image Magazine, Thailand) –

PROMEDIO: 8.17 (7 votos)