Micropsia
Un blog de Diego Lerer
10.09.2025
Seguinos
  • Facebook
  • Twitter
  • Youtube
  • Instagram
  • Rss
  • Home
  • Críticas
  • Festivales
  • Series
  • Contacto
Menu

  • ‘Swiped’ TIFF Review: Whitney Wolfe’s Rise in Tech’s Toxic Playground

    por Diego Lerer - cine, Críticas, Estrenos, Festivales, Online, Reviews, Streaming
    10 Sep, 2025 12:31 | Sin comentarios
    ‘Swiped’ TIFF Review: Whitney Wolfe’s Rise in Tech’s Toxic Playground

    Lily James stars as Whitney Wolfe in a dramatization of the turbulent early days of Tinder. The film retraces Wolfe’s role in turning a struggling app into a global phenomenon, while exposing the misogyny and toxic culture that marked her journey through Silicon Valley. Starring Lily James.

  • ‘The Currents’ TIFF Review: Haunted by Water, Adrift in Herself

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    08 Sep, 2025 11:30 | Sin comentarios
    ‘The Currents’ TIFF Review: Haunted by Water, Adrift in Herself

    Isabel Aimé González Sola anchors Milagros Mumenthaler’s enigmatic drama about a designer who loses her bearings after a sudden rupture in Switzerland.

  • ‘Maledictions’ Review: Daniel Burman’s Political Chessboard (Netflix)

    por Diego Lerer - Críticas, Estrenos, Online, Reviews, Series, Streaming
    07 Sep, 2025 03:36 | Sin comentarios
    ‘Maledictions’ Review: Daniel Burman’s Political Chessboard (Netflix)

    In northern Argentina, the governor’s right-hand man kidnaps his daughter during a crucial vote on a lithium exploitation bill. The race against time exposes the true nature of power. Starring Leonardo Sbaraglia, Gustavo Bassani, Alejandra Flechner and Monna Antonopoulos. Streaming on Netflix from September 12.

  • ‘Pin de fartie’ Venice Review: A Playful, Poignant Meditation on Finitude

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    04 Sep, 2025 03:06 | Sin comentarios
    ‘Pin de fartie’ Venice Review: A Playful, Poignant Meditation on Finitude

    Mixing humor, melancholy, and political resonance, Alejo Moguillansky’s film becomes both a reflection on endings—of relationships, of art, of a country—and a luminous celebration of cinema, theater, and music.

  • ‘Grand Ciel’ Venice Review: Labor Struggles in the Shadow of Progress

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    04 Sep, 2025 02:22 | Sin comentarios
    ‘Grand Ciel’ Venice Review: Labor Struggles in the Shadow of Progress

    On a massive construction site for a luxury mega-development, a night-shift worker becomes caught between loyalty to his fellow laborers and pressure from his bosses. As disappearances, accidents, and strange noises unsettle the site, this French drama blurs social realism with eerie allegory, exposing the human cost of dreams built on exploitation.

  • «En el camino» Venice Review: Tenderness in the Shadow of Violence

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    03 Sep, 2025 11:43 | Sin comentarios
    «En el camino» Venice Review: Tenderness in the Shadow of Violence

    A young drifter and a taciturn trucker form an uneasy bond on Mexico’s highways, caught between desire, loneliness, and the looming threat of violence. David Pablo’s film is a dusty, melancholic road movie that finds fleeting tenderness in a brutal world.

  • ‘Vanilla’ Venice Review: Mayra Hermosillo’s tender ode to unusual families

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    03 Sep, 2025 11:28 | Sin comentarios
    ‘Vanilla’ Venice Review: Mayra Hermosillo’s tender ode to unusual families

    Mixing humor, intimacy, and the weight of economic struggle, this Mexican film turns everyday moments into a coming-of-age tale full of color and humanity.

  • “Un cabo suelto” Venice Review: Daniel Hendler’s comedy of escape and reinvention

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    03 Sep, 2025 05:28 | Sin comentarios
    “Un cabo suelto” Venice Review: Daniel Hendler’s comedy of escape and reinvention

    This offbeat comedy follows a runaway Argentine policeman adrift in Uruguay. A tale of loose ends, new beginnings, and the cultural quirks of life on both sides of the Río de la Plata.

  • ‘Hiedra’ Venice Review: A lyrical portrait of mothers, sons, and missing ties

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    03 Sep, 2025 05:22 | Sin comentarios
    ‘Hiedra’ Venice Review: A lyrical portrait of mothers, sons, and missing ties

    Ecuadorian filmmaker Ana Cristina Barragán crafts a delicate, dreamlike story of two strangers who might be family—or might only need to believe they are.

  • ‘Songs of Forgotten Trees’ Venice Review: Two Women Seeking Connection in Mumbai

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    02 Sep, 2025 11:03 | Sin comentarios
    ‘Songs of Forgotten Trees’ Venice Review: Two Women Seeking Connection in Mumbai

    In bustling Mumbai, two very different women share an apartment yet live separate lives. Gradually, their solitude gives way to an unexpected bond built on connection and mutual support. In Orizzonti.

« Anteriores  
Nuestra Comunidad
  • Otros CinesLa mirada de Diego Batlle sobre cine, en Argentina y en el exterior
  • Otros Cines / EuropaUna perspectiva europea bajo la dirección de Manu Yañez
  • Otros Cines / TVSeries y otras novedades de la TV por Pablo Manzotti
  • Con los Ojos AbiertosCríticas, crónicas de festivales y apuntes sobre cine por Roger Koza
  • Otros Cines / PerúCine peruano y mundial, desde Lima, por John Campos Gómez
© Copyright 2011-2025 Otros Cines Micropsia - Todos los derechos reservados.
Desarrollado por PisoTres