Micropsia
Un blog de Diego Lerer
23.08.2026
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  • ‘Father Mother Sister Brother’ Review: Jim Jarmusch’s Gentle Meditation on Family (MUBI)

    por Diego Lerer - cine, Críticas, Online, Reviews, Streaming
    26 Feb, 2026 07:57 | Sin comentarios
    ‘Father Mother Sister Brother’ Review: Jim Jarmusch’s Gentle Meditation on Family (MUBI)

    The American filmmaker weaves three quiet family stories set in different cities, exploring the secrets and silences that shape our closest relationships. Starring Adam Driver, Cate Blanchett, Tom Waits and Charlotte Rampling. The film will be released on MUBI on February 27.

  • ‘Memory of a Killer’ Review: Patrick Dempsey Anchors a Familiar Assassin Tale

    por Diego Lerer - Críticas, Estrenos, Online, Reviews, Series, Streaming
    25 Feb, 2026 08:44 | Sin comentarios
    ‘Memory of a Killer’ Review: Patrick Dempsey Anchors a Familiar Assassin Tale

    As Alzheimer’s symptoms begin to surface, a widowed contract killer struggles to protect his pregnant daughter from the truth about his violent profession—while his slipping mind threatens to expose him first.

  • ‘Blossoms Shanghai’ Review: Wong Kar-wai’s Seductive Chronicle of China’s Economic Boom

    por Diego Lerer - Críticas, Estrenos, Online, Reviews, Series, Streaming
    25 Feb, 2026 04:00 | Sin comentarios
    ‘Blossoms Shanghai’ Review: Wong Kar-wai’s Seductive Chronicle of China’s Economic Boom

    The director brings his signature romantic melancholy to 1990s Shanghai, charting the rise of a mysterious stock market tycoon amid the seductive—and treacherous—glow of China’s economic boom.

  • ‘Paradise – Season 2’ Review: Human Stories at the End of the World

    por Diego Lerer - Críticas, Estrenos, Online, Reviews, Series, Streaming
    24 Feb, 2026 04:48 | Sin comentarios
    ‘Paradise – Season 2’ Review: Human Stories at the End of the World

    As the world outside its luxury bunker grows more dangerous, the show shifts its focus from political conspiracy to the fragile, emotional bonds that hold together a scattered group of survivors.

  • ‘Yellow Letters’ Berlinale Review: Where Art and Politics Collide

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    23 Feb, 2026 08:23 | Sin comentarios
    ‘Yellow Letters’ Berlinale Review: Where Art and Politics Collide

    In Turkey, a politically outspoken theater couple sees their lives unravel as state pressure turns professional dissent into a deeply personal crisis. Winner of the Golden Bear.

  • ‘Prosecution’ Berlinale Review: The Case Against Fear

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    22 Feb, 2026 10:07 | Sin comentarios
    ‘Prosecution’ Berlinale Review: The Case Against Fear

    After surviving a racially motivated attack, a state prosecutor takes the investigation into her own hands, uncovering what may be a politically connected network behind the violence.

  • ‘London’ Berlinale Review: Conversations on the Road

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    21 Feb, 2026 08:54 | Sin comentarios
    ‘London’ Berlinale Review: Conversations on the Road

    A ride-share driver’s weekly trips between Vienna and Salzburg become a series of intimate encounters that gradually reveal a life shaped by freedom, responsibility, and unresolved choices.

  • ‘Good Luck, Have Fun, Don’t Die’ Review: Save the World, Put Down Your Phone

    por Diego Lerer - cine, Críticas, Estrenos, Festivales, Reviews
    21 Feb, 2026 08:01 | Sin comentarios
    ‘Good Luck, Have Fun, Don’t Die’ Review: Save the World, Put Down Your Phone

    A disheveled time traveler assembles a reluctant group of citizens to help him stop the inventor of a future AI system that will eventually bring about humanity’s downfall.

  • ‘Forest High’ Berlinale Review: Solitude at the Edge of the World

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    21 Feb, 2026 03:47 | Sin comentarios
    ‘Forest High’ Berlinale Review: Solitude at the Edge of the World

    Over the course of a year in a remote Alpine refuge, three women caretakers encounter passing travelers—and, in the quiet between arrivals, confront their own solitude, memories, and unspoken desires.

  • ‘Sad Girlz’ Berlinale Review: The Breaking Point of Innocence

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    21 Feb, 2026 02:54 | Sin comentarios
    ‘Sad Girlz’ Berlinale Review: The Breaking Point of Innocence

    Two teenage swimmers face an emotional rupture after an intimate experience disrupts the fragile balance of their friendship. Winner of the Generation 14plus section at the Berlinale.

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Nuestra Comunidad
  • Otros CinesLa mirada de Diego Batlle sobre cine, en Argentina y en el exterior
  • Otros Cines / EuropaUna perspectiva europea bajo la dirección de Manu Yañez
  • Otros Cines / TVSeries y otras novedades de la TV por Pablo Manzotti
  • Con los Ojos AbiertosCríticas, crónicas de festivales y apuntes sobre cine por Roger Koza
  • Otros Cines / PerúCine peruano y mundial, desde Lima, por John Campos Gómez
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