A Russian CEO’s perfect life unravels when his wife’s secret affair collides with the pressures of war. In Competition.
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‘Minotaur’ Cannes Review: Andrey Zvyagintsev Returns With A Chabrol Remake That Trades French Elegance For Russian Dread
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‘Six Months In a Pink And Blue Building’ Cannes Review: Bruno Santamaría Rezo’s Autobiographical Film Is Tender, Honest, And Quietly Devastating
A boy navigates first desire and his father’s AIDS diagnosis in early-90s Mexico City. Autobiographical, tender, and quietly devastating.
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‘The Unknown’ Cannes Review: Lea Seydoux Carries a Man’s Lost Soul Through One of Cannes’ Most Bracingly Original Films
A photographer wakes up in a woman’s body. She may be wearing his. Starring Léa Seydoux. In Competition.
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‘9 Temples to Heaven’ Cannes Review: Cinema Finds the Sacred in the Everyday
In this Thai dramedy, a man takes his ailing mother and nine relatives on a one-day pilgrimage to nine temples across Bangkok after his boss predicts she may soon die.
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‘Fjord’ Cannes Review: Mungiu’s State-Versus-Family Drama is Blunt and Surprisingly Shallow
A Romanian family’s collision with Norwegian child protective services becomes the unlikely battleground for Mungiu’s most ideologically simplistic film to date. Starring Sebastian Stan and Renate Reinsve. In Competition.
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‘Moulin’ Cannes Review: Gilles Lellouche Anchors a Spare and Relentless Portrait of Defiance Under Nazi Captivity
A French Resistance leader faces his Nazi interrogators with stoic defiance, knowing survival may demand an unbearable final choice. In Competition.
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‘Another Day’ Cannes Review: Adèle Exarchopoulos Carries a Conventional but Emotionally Honest Alcoholism Drama
A French actress navigates work, love, and family while drinking two liters of wine a day and refusing to admit she has an alcohol problem. In Competition.
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‘Dora’ Cannes Review: July Jung’s Overwrought Korean Melodrama Wastes a Strong Premise
A troubled Korean teenager retreats to the countryside only to find herself trapped among damaged, destructive adults. In the Directors Fortnight.
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‘Hope’ Cannes Review: Korea’s Costliest Blockbuster Is a Breathless but Unfinished Beast
A small-town South Korean cop and his ragtag team hunt a monstrous, near-indestructible creature only to discover it’s just the beginning. In Competition.
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‘La perra’ Cannes Review: Dominga Sotomayor Returns with a Lyrical and Unsettling Drama
After her dog disappears, a woman’s search on a windswept island triggers memories of youth, revealing hidden wounds that quietly define her present life.
