Micropsia
Un blog de Diego Lerer
28.06.2026
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  • Cannes 2026: las 20 mejores películas del festival

    por Lerer - cine, Críticas, Festivales, Reviews
    23 May, 2026 12:19 | Sin comentarios
    Cannes 2026: las 20 mejores películas del festival

    Una edición curiosa, con algunos buenos títulos pero ninguna obra maestra en la sección oficial; una buena lista de películas en las secciones paralelas y una cantidad de films cuya presencia en Cannes es difícil de entender.

  • ‘The Dreamed Adventure’ Cannes Review: Valeska Grisebach’s Unhurried Masterwork Of Border-Town Tension And Female Resilience

    por Lerer - cine, Críticas, Festivales, Reviews
    23 May, 2026 03:05 | Sin comentarios
    ‘The Dreamed Adventure’ Cannes Review: Valeska Grisebach’s Unhurried Masterwork Of Border-Town Tension And Female Resilience

    A woman navigating the criminal underbelly of a Bulgarian border town searches for a vanished friend while quietly holding her own world together. In Competition.

  • ‘The Birthday Party’ Cannes Review: Monica Bellucci Shines In An Otherwise Undercooked Home-Invasion Exercise

    por Lerer - cine, Críticas, Festivales, Reviews
    23 May, 2026 01:48 | Sin comentarios
    ‘The Birthday Party’ Cannes Review: Monica Bellucci Shines In An Otherwise Undercooked Home-Invasion Exercise

    A woman’s birthday turns deadly when armed strangers invade her home claiming she’s someone else entirely. Starring Hafsia Herzi, Bênoit Magimel and Monica Bellucci.

  • ‘Coward’ Cannes Review: Lukas Dhont’s Quiet Portrait Of Queer Love And Survival In The Trenches

    por Lerer - cine, Críticas, Festivales, Reviews
    22 May, 2026 06:46 | Sin comentarios
    ‘Coward’ Cannes Review: Lukas Dhont’s Quiet Portrait Of Queer Love And Survival In The Trenches

    On the WWI Belgian front, a withdrawn farm boy falls for his regiment’s theater troupe leader, finding in art an unexpected refuge and awakening. In Competition.

  • ‘Victorian Psycho’ Cannes Review: Maika Monroe Turns Final Girl Convention Upside Down

    por Lerer - cine, Críticas, Festivales, Reviews
    22 May, 2026 06:22 | Sin comentarios
    ‘Victorian Psycho’ Cannes Review: Maika Monroe Turns Final Girl Convention Upside Down

    A deranged Victorian governess leaves a trail of bodies — and an impeccable smile — across the English countryside. Starring Maika Monroe and Ruth Wilson. Un Certain Regard.

  • ‘The Black Ball’ Cannes Review: An Overlong Tribute To Gay Spain That Drowns In Its Own Solemnity

    por Lerer - cine, Críticas, Festivales, Reviews
    21 May, 2026 04:41 | Sin comentarios
    ‘The Black Ball’ Cannes Review: An Overlong Tribute To Gay Spain That Drowns In Its Own Solemnity

    Across a century of silence, the hidden loves of gay men in Spain converge in a story that history tried to bury. Starring Guitarricadelafuente and Penélope Cruz. In Competition.

  • ‘A Man Of His Time’ Cannes Review: Emmanuel Marre’s Chilling And Eerily Contemporary Study Of Everyday Complicity

    por Lerer - cine, Críticas, Festivales, Reviews
    21 May, 2026 03:39 | Sin comentarios
    ‘A Man Of His Time’ Cannes Review: Emmanuel Marre’s Chilling And Eerily Contemporary Study Of Everyday Complicity

    A Vichy bureaucrat’s quiet, self-serving complicity in Nazi-occupied France becomes a mirror for our present moment of political cowardice. Starring Swann Arlaud. In Competition.

  • ‘Ulya’ Cannes Review: The Unlikely Origin Story of Basketball’s Forgotten Giant

    por Lerer - cine, Críticas, Festivales, Reviews
    21 May, 2026 07:41 | Sin comentarios
    ‘Ulya’ Cannes Review: The Unlikely Origin Story of Basketball’s Forgotten Giant

    A towering teenage girl from rural Latvia discovers basketball — and herself — in 1960s Soviet Union. Un Certain Regard.

  • ‘Once Upon A Time In Harlem’ Cannes Review: The Harlem Renaissance Document William Greaves Never Finished Is Worth The Wait

    por Lerer - cine, Críticas, Festivales, Reviews
    21 May, 2026 04:34 | Sin comentarios
    ‘Once Upon A Time In Harlem’ Cannes Review: The Harlem Renaissance Document William Greaves Never Finished Is Worth The Wait

    In 1972, filmmaker William Greaves gathered the last survivors of the Harlem Renaissance for one final reunion — and kept the cameras rolling. Directors’ Fortnight.

  • ‘The Man I Love’ Cannes Review: Ira Sachs Finds Beauty And Resilience In The Shadow Of The AIDS Crisis

    por Lerer - cine, Críticas, Festivales, Reviews
    21 May, 2026 04:11 | Sin comentarios
    ‘The Man I Love’ Cannes Review: Ira Sachs Finds Beauty And Resilience In The Shadow Of The AIDS Crisis

    In 1980s New York, a celebrated actor living with AIDS rehearses a new show while his tight-knit artistic community rallies around him. Starring Rami Malek and Tom Sturridge. In Competition.

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Nuestra Comunidad
  • Otros CinesLa mirada de Diego Batlle sobre cine, en Argentina y en el exterior
  • Otros Cines / EuropaUna perspectiva europea bajo la dirección de Manu Yañez
  • Otros Cines / TVSeries y otras novedades de la TV por Pablo Manzotti
  • Con los Ojos AbiertosCríticas, crónicas de festivales y apuntes sobre cine por Roger Koza
  • Otros Cines / PerúCine peruano y mundial, desde Lima, por John Campos Gómez
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