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Un blog de Diego Lerer
28.06.2026
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  • ‘Che Guevara: The Last Companions’ Cannes Review: A Guerrilla Escape Across Bolivia

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    20 May, 2026 05:00 | Sin comentarios
    ‘Che Guevara: The Last Companions’ Cannes Review: A Guerrilla Escape Across Bolivia

    Three Cuban guerrillas retrace their escape after Che Guevara’s death, revealing an epic survival story shaped by war, memory, and geopolitical maneuvering.

  • ‘Red Rocks’ Cannes Review: Bruno Dumont’s Warmest Film Yet Is A Sun-Soaked Ode To Childlike Wonder

    por Lerer - cine, Críticas, Festivales, Reviews
    20 May, 2026 02:32 | Sin comentarios
    ‘Red Rocks’ Cannes Review: Bruno Dumont’s Warmest Film Yet Is A Sun-Soaked Ode To Childlike Wonder

    The French director turns his camera on a group of five-year-olds roaming a sun-drenched French Riviera town, entirely on their own. In Directors’ Fortnight.

  • ‘Titanic Ocean’ Cannes Review: A Surreal Dive into Desire and Identity

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    20 May, 2026 02:00 | Sin comentarios
    ‘Titanic Ocean’ Cannes Review: A Surreal Dive into Desire and Identity

    A young woman enrolls in a Tokyo mermaid academy, where fierce competition, desire, and a mysterious accident blur the line between reality and fantasy.

  • ‘Death Has No Master’ Cannes Review: Asia Argento Commands This Brooding But Slow-Burning Postcolonial Western

    por Lerer - cine, Críticas, Festivales, Reviews
    20 May, 2026 01:45 | Sin comentarios
    ‘Death Has No Master’ Cannes Review: Asia Argento Commands This Brooding But Slow-Burning Postcolonial Western

    A European woman’s bid to sell her Venezuelan inheritance ignites a brutal postcolonial standoff between two irreconcilable worlds. Directors’ Fortnight.

  • ‘I See Buildings Fall Like Lightning’ Cannes Review: Clio Barnard Returns With A Raw And Vital Portrait Of Working-Class Birmingham

    por Lerer - cine, Críticas, Festivales, Reviews
    20 May, 2026 01:25 | Sin comentarios
    ‘I See Buildings Fall Like Lightning’ Cannes Review: Clio Barnard Returns With A Raw And Vital Portrait Of Working-Class Birmingham

    Friendship holds five Birmingham twentysomethings together as class, money, and bad decisions threaten to pull them apart. In Directors’ Fortnight.

  • ‘Minotaur’ Cannes Review: Andrey Zvyagintsev Returns With A Chabrol Remake That Trades French Elegance For Russian Dread

    por Lerer - cine, Críticas, Festivales, Reviews
    19 May, 2026 02:13 | Sin comentarios
    ‘Minotaur’ Cannes Review: Andrey Zvyagintsev Returns With A Chabrol Remake That Trades French Elegance For Russian Dread

    A Russian CEO’s perfect life unravels when his wife’s secret affair collides with the pressures of war. In Competition.

  • ‘Six Months In a Pink And Blue Building’ Cannes Review: Bruno Santamaría Rezo’s Autobiographical Film Is Tender, Honest, And Quietly Devastating

    por Lerer - cine, Críticas, Festivales, Reviews
    19 May, 2026 02:02 | Sin comentarios
    ‘Six Months In a Pink And Blue Building’ Cannes Review: Bruno Santamaría Rezo’s Autobiographical Film Is Tender, Honest, And Quietly Devastating

    A boy navigates first desire and his father’s AIDS diagnosis in early-90s Mexico City. Autobiographical, tender, and quietly devastating.

  • ‘The Unknown’ Cannes Review: Lea Seydoux Carries a Man’s Lost Soul Through One of Cannes’ Most Bracingly Original Films

    por Lerer - cine, Críticas, Festivales, Reviews
    19 May, 2026 12:57 | Sin comentarios
    ‘The Unknown’ Cannes Review: Lea Seydoux Carries a Man’s Lost Soul Through One of Cannes’ Most Bracingly Original Films

    A photographer wakes up in a woman’s body. She may be wearing his. Starring Léa Seydoux. In Competition.

  • ‘9 Temples to Heaven’ Cannes Review: Cinema Finds the Sacred in the Everyday

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    19 May, 2026 09:30 | Sin comentarios
    ‘9 Temples to Heaven’ Cannes Review: Cinema Finds the Sacred in the Everyday

    In this Thai dramedy, a man takes his ailing mother and nine relatives on a one-day pilgrimage to nine temples across Bangkok after his boss predicts she may soon die.

  • ‘Fjord’ Cannes Review: Mungiu’s State-Versus-Family Drama is Blunt and Surprisingly Shallow

    por Lerer - cine, Críticas, Festivales, Reviews
    18 May, 2026 08:35 | Sin comentarios
    ‘Fjord’ Cannes Review: Mungiu’s State-Versus-Family Drama is Blunt and Surprisingly Shallow

    A Romanian family’s collision with Norwegian child protective services becomes the unlikely battleground for Mungiu’s most ideologically simplistic film to date. Starring Sebastian Stan and Renate Reinsve. In Competition.

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Nuestra Comunidad
  • Otros CinesLa mirada de Diego Batlle sobre cine, en Argentina y en el exterior
  • Otros Cines / EuropaUna perspectiva europea bajo la dirección de Manu Yañez
  • Otros Cines / TVSeries y otras novedades de la TV por Pablo Manzotti
  • Con los Ojos AbiertosCríticas, crónicas de festivales y apuntes sobre cine por Roger Koza
  • Otros Cines / PerúCine peruano y mundial, desde Lima, por John Campos Gómez
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