After a sudden breakup and a troubling diagnosis, a woman begins to rethink her life, embracing pleasures and possibilities she once avoided.
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‘Three Goodbyes’ Review: Alba Rohrwacher Finds New Ways of Living in Isabel Coixet’s Elegiac Drama
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‘Unexpected Loves’ Disney+ Review: Martín Bossi in Six Stories of Chance and Romance
Martín Bossi plays six different men whose chance encounters lead to unexpected romances in an anthology connected by sentimentality and familiar formulas. Streaming on Disney+ from September 16.
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‘Glaxo’ Toronto Review: A Coming-of-Age Story Haunted by Argentina’s Violent Past
Four friends navigate three decades of Argentine history as political violence and corporate power slowly destroy their bonds and futures. In TIFF and San Sebastián.
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‘Let Us Through, Dear Ancestors’ Venice Review: Lav Diaz Revisits the Horrors of Colonialism
In 1617, a group transporting marble for a church faces violence and danger, revealing the brutal realities of Spanish colonial rule. In Venice Open.
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‘Back to Buenos Aires’ Venice Review: The Long Shadow of the Dictatorship
An Italian doctor returns to Argentina to testify against his torturers, confronting the guilt, trauma and moral ambiguities left by the dictatorship. In Competition.
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‘Lovers in the Blue Light’ Venice Review: Love in the Shadows of Mumbai
Four Indian migrants navigate love, desire, secrecy, and survival in Mumbai’s dangerous nightlife while searching for connection amid overwhelming loneliness. Screening in Orizzonti.
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‘Meteorite’ Venice Review: Colombian Director Sebastián Múnera Builds a Dreamlike World Haunted by Violence
A Colombian woman recruits her friend for a prison smuggling job, leading them through a strange landscape where reality and memory blur. Venice Critics Week.
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‘Oasis: Don’t Look Back in Anger’ Review: A Reunion Bigger Than the Gallaghers
The Gallagher brothers put aside their differences for an Oasis reunion, discovering that their music now belongs as much to their fans as themselves.
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‘One Minute to Midnight’ Review: Melvil Poupaud Anchors A Self-Critical, Self-Centered Portrait Of Masculinity In The Age Of #MeToo
Stranded in Paris for a week, a man nearing 50 revisits old colleagues and lovers, confronting how #MeToo reframes his past. Starring Melvil Poupaud and Chaira Mastroianni. In Competition.
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‘What Belongs to Others’ Venice Review: A Place Among Strangers
A desperate thief exploits a tragic misunderstanding for profit, but her fake relationship with a dead man slowly transforms her life forever. Orizzonti.



