Micropsia
Un blog de Diego Lerer
28.06.2026
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  • ‘All the Lovers in the Night’ Cannes Review: A Woman Nobody Sees

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    17 May, 2026 08:31 | Sin comentarios
    ‘All the Lovers in the Night’ Cannes Review: A Woman Nobody Sees

    A Japanese woman who has spent her whole life going unnoticed learns, slowly and painfully, what it means to be seen. Un Certain Regard

  • ‘The Station’ Cannes Review: Survival and Struggle in Yemen’s Civil War

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    17 May, 2026 08:31 | Sin comentarios
    ‘The Station’ Cannes Review: Survival and Struggle in Yemen’s Civil War

    A Yemeni woman runs a women-only gas station amid civil war, fighting to protect her young brother from conscription as violence closes in. In Critics’ Week.

  • ‘Paper Tiger’ Cannes Review: James Gray Delivers a Modern American Classic

    por Lerer - cine, Críticas, Festivales, Reviews
    17 May, 2026 07:45 | Sin comentarios
    ‘Paper Tiger’ Cannes Review: James Gray Delivers a Modern American Classic

    When an honest engineer accidentally witnesses a mob operation, his brother’s connections prove no match for the chaos that follows. Starring Miles Teller, Adam Driver and Scarlett Johansson. In Competition.

  • ‘Sheep in the Box’ Cannes Review: Kore-eda Enters the Uncanny Valley

    por Lerer - cine, Críticas, Festivales, Reviews
    17 May, 2026 06:55 | Sin comentarios
    ‘Sheep in the Box’ Cannes Review: Kore-eda Enters the Uncanny Valley

    When a company offers grieving parents a humanoid copy of their lost child, the line between memory and imitation slowly dissolves. In Competition.

  • ‘La libertad doble’ Cannes Review: Lisandro Alonso’s Quiet Cinema Confronts a Country Falling Apart

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    16 May, 2026 11:55 | Sin comentarios
    ‘La libertad doble’ Cannes Review: Lisandro Alonso’s Quiet Cinema Confronts a Country Falling Apart

    When a man is forced to care for his mentally ill sister in a world without institutional support, their uneasy bond becomes a meditation on family and freedom.

  • ‘Forever Your Maternal Animal’ Cannes Review: Valentina Maurel’s Family Portrait of Sisterhood and Chaos

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    16 May, 2026 11:01 | Sin comentarios
    ‘Forever Your Maternal Animal’ Cannes Review: Valentina Maurel’s Family Portrait of Sisterhood and Chaos

    A young woman returns home after years abroad, only to be pulled into the unstable orbit of her dysfunctional family—where her bond with her paranoid, unpredictable sister threatens to spiral into something both intimate and dangerous.

  • ‘Flesh and Fuel’ Cannes Review: A Queer Love Story on the Open Road

    por Diego Lerer - cine, Críticas, Estrenos, Reviews
    16 May, 2026 11:00 | Sin comentarios
    ‘Flesh and Fuel’ Cannes Review: A Queer Love Story on the Open Road

    Étienne is a truck driver. Tethered to the road, his love life is limited to fleeting, anonymous encounters in parking lots. When he meets Bartosz, a Polish driver, everything changes.

  • ‘A Girl’s Story’ Cannes Review: Annie Ernaux’s Painful Memory Reimagined on Screen

    por Lerer - cine, Críticas, Festivales, Reviews
    16 May, 2026 10:04 | Sin comentarios
    ‘A Girl’s Story’ Cannes Review: Annie Ernaux’s Painful Memory Reimagined on Screen

    The writer revisits her teenage self, reexamining a formative sexual experience that memory and time transform into a story of power, shame, and awakening. Un Certain Regard.

  • ‘Shana’ Cannes Review: A Volatile Antiheroine in Freefall

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    16 May, 2026 05:15 | Sin comentarios
    ‘Shana’ Cannes Review: A Volatile Antiheroine in Freefall

    In the margins of a multicultural Paris, a sharp-tongued woman fights to survive a cascade of personal crises without losing herself completely.

  • ‘Diary of a Chambermaid’ Cannes Review: Radu Jude Updates a Classic, Mercilessly

    por Lerer - cine, Críticas, Festivales, Reviews
    16 May, 2026 03:12 | Sin comentarios
    ‘Diary of a Chambermaid’ Cannes Review: Radu Jude Updates a Classic, Mercilessly

    A Romanian maid in Bordeaux keeps a diary of cancelled holidays and daily indignities, courtesy of the progressive Parisian couple who employ her.

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Nuestra Comunidad
  • Otros CinesLa mirada de Diego Batlle sobre cine, en Argentina y en el exterior
  • Otros Cines / EuropaUna perspectiva europea bajo la dirección de Manu Yañez
  • Otros Cines / TVSeries y otras novedades de la TV por Pablo Manzotti
  • Con los Ojos AbiertosCríticas, crónicas de festivales y apuntes sobre cine por Roger Koza
  • Otros Cines / PerúCine peruano y mundial, desde Lima, por John Campos Gómez
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