Micropsia
Un blog de Diego Lerer
23.03.2026
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  • ‘The River Train’ Berlinale Review: A Kid, a City, and the Ghost of Leonardo Favio

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    16 Feb, 2026 12:33 | Sin comentarios
    ‘The River Train’ Berlinale Review: A Kid, a City, and the Ghost of Leonardo Favio

    Milo dreams of escaping the pressures of family life of becoming a great Malambo dancer by setting out on his own toward the wonders of Buenos Aires.

  • ‘Light Pillar’ Berlinale Review: Melancholy in the Age of Simulation

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    16 Feb, 2026 08:20 | Sin comentarios
    ‘Light Pillar’ Berlinale Review: Melancholy in the Age of Simulation

    In a near-future where China’s largest film studio is collapsing into obsolescence, a lonely caretaker escapes into a virtual reality world—only to find love, purpose, and a dangerous illusion that may cost him everything in both realities.

  • ‘The Scream Murder’ Review: When Horror Movies Spill Into Real Life

    por Diego Lerer - Críticas, Estrenos, Online, Reviews, Series, Streaming
    16 Feb, 2026 06:36 | Sin comentarios
    ‘The Scream Murder’ Review: When Horror Movies Spill Into Real Life

    In 2006, in a small Idaho town, a teenage girl is found dead in a house, and the prime suspects are two classmates obsessed with horror films. On Hulu.

  • ‘Rose’ Berlinale Review: Identity, Survival and Patriarchy in a 17th-Century Village

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    15 Feb, 2026 10:17 | Sin comentarios
    ‘Rose’ Berlinale Review: Identity, Survival and Patriarchy in a 17th-Century Village

    In the aftermath of the Thirty Years’ War, a woman settles in a remote village posing as a man—only to discover that power, belonging and even marriage may depend less on truth than on performance.

  • ‘The Ballad of Judas Priest’ Berlinale Review: How Leather, Guitars, and Pure Attitude Shaped Heavy Metal

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    15 Feb, 2026 03:15 | Sin comentarios
    ‘The Ballad of Judas Priest’ Berlinale Review: How Leather, Guitars, and Pure Attitude Shaped Heavy Metal

    A fearless chronicle of Judas Priest’s rise—from Birmingham’s industrial streets to global metal icons—celebrating their music, their image, and the fans who swear by them.

  • ‘Rosebush Pruning’ Berlinale Review: Ultra-Wealthy and Utterly Unhinged

    por Diego Lerer - cine, Críticas, Estrenos, Festivales, Reviews
    15 Feb, 2026 12:30 | Sin comentarios
    ‘Rosebush Pruning’ Berlinale Review: Ultra-Wealthy and Utterly Unhinged

    A dysfunctional billionaire family implodes from within when an outsider disrupts their warped routines in this pitch-black satire of privilege, cruelty, and mutual destruction.

  • ‘If I Were Alive’ Berlinale Review: Close Encounters in Minas Gerais

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    15 Feb, 2026 11:50 | Sin comentarios
    ‘If I Were Alive’ Berlinale Review: Close Encounters in Minas Gerais

    A couple who meet in adolescence grow old together and face health issues in this Brazilian film that blends observational realism with science fiction.

  • ‘WAX & GOLD’ Berlinale Review: Ruth Beckermann Tracks Power and Its Echoes in Contemporary Ethiopia

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    15 Feb, 2026 11:46 | Sin comentarios
    ‘WAX & GOLD’ Berlinale Review: Ruth Beckermann Tracks Power and Its Echoes in Contemporary Ethiopia

    A stay at Addis Ababa’s Hilton becomes the starting point for Ruth Beckermann’s layered exploration of Ethiopia’s imperial past, fractured present, and the hidden meanings that connect them.

  • ‘Everything Else Is Noise’ Berlinale Review: Interview as Performance, Art as Negotiation

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    14 Feb, 2026 08:46 | Sin comentarios
    ‘Everything Else Is Noise’ Berlinale Review: Interview as Performance, Art as Negotiation

    A televised interview in a borrowed apartment spirals into a wry chamber piece about artistic identity, generational tensions, and the quiet sexism embedded in the world of contemporary music.

  • ‘Nightborn’ Berlinale Review: A Folk Horror Take on First-Time Motherhood

    por Diego Lerer - cine, Críticas, Festivales, Reviews
    14 Feb, 2026 06:30 | Sin comentarios
    ‘Nightborn’ Berlinale Review: A Folk Horror Take on First-Time Motherhood

    Dreaming of a perfect family life, Saga and her husband Jon move to her childhood home in a remote Finnish forest—only for Saga to become convinced that something is terribly wrong with their newborn baby.

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Nuestra Comunidad
  • Otros CinesLa mirada de Diego Batlle sobre cine, en Argentina y en el exterior
  • Otros Cines / EuropaUna perspectiva europea bajo la dirección de Manu Yañez
  • Otros Cines / TVSeries y otras novedades de la TV por Pablo Manzotti
  • Con los Ojos AbiertosCríticas, crónicas de festivales y apuntes sobre cine por Roger Koza
  • Otros Cines / PerúCine peruano y mundial, desde Lima, por John Campos Gómez
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