Arnaud Desplechin’s latest film blends mystery and intimate drama, following a pianist whose return home sets off a spiral of secrets, obsessions, and family reckonings.
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‘Two Pianos’ Review: Desplechin Strikes a Chord Between Mystery and Melodrama
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‘The Boss – Season 4’ Review: Argentina’s Most Cynical Series Ends on a Repetitive Note
As Eliseo gains influence at the highest levels, old enemies and new schemes collide, exposing the limits of his cunning in an increasingly repetitive and cynical world.
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‘All You Need to Make a Movie Is a Gun’ Review: Found Footage and the Politics of Memory
An Argentine filmmaker uncovers lost student films from the 1960s–70s, reconstructing lives shaped by political upheaval, repression, and cinema’s enduring power as memory and resistance. Shown at the Rotterdam, BAFICI and FICIC film festivals.
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Estrenos online: crítica de «Kontinental ’25», de Radu Jude (Filmin)
Tras quedar involucrada en un hecho trágico, una mujer rumana se plantea qué hacer con su vida en esta tragicomedia del realizador de «Sexo desafortunado o porno loco». Disponible en la plataforma española Filmin.
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‘Widow’s Bay’ Review: Apple TV’s Smart Horror Comedy Gets Darker as It Goes
A fading island town seeks reinvention through tourism, but its mayor soon realizes the place’s sinister past is very much alive. On Apple TV.
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‘Envious – Season 4’ Review: A Messy, Honest Ending for Netflix’s Breakout Series
When her partner’s young son disrupts her carefully controlled life, the neurotic Vicky must face her insecurities and rethink her narrow vision of happiness. Starring Griselda Siciliani.
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‘The Devil Wears Prada 2’ Review: A Smarter, More Reflective Return to Runway
Andy returns to Runway as an investigative journalist, confronting corporate power, media collapse, and Miranda Priestly in a smarter, more grounded sequel starring Meryl Streep and Anne Hathaway.
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Estrenos: crítica de «El diablo viste a la moda 2» («The Devil Wears Prada 2»), de David Frankel
La periodista Andy Sachs regresa a trabajar en la revista Runway en la que su editora, Miranda Priestly, lidia con un cambiante ecosistema de medios. Con Meryl Streep y Anne Hathaway.
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Play-Doc 2026: Retrospectiva de Maureen Fazendeiro
Play-Doc inaugura Cineasta en foco, una nueva sección dedicada al cine contemporáneo que comienza con la obra de la realizadora portuguesa Maureen Fazendeiro.
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Estrenos: crítica de «Plata o mierda», de Toia Bonino y Marcos Joubert
Marcos está preso. En la cárcel, su posesión más preciada es un teléfono celular que entró su novia. Con él, Marcos graba y manda videos a Toia. Juntos hacen esta película. Ganadora del Gran Premio de la Competencia Argentina en BAFICI 2026.
