Tras la desaparición de su compañero, Shi y la novia de Gao buscan respuestas en los mundos físico y digital, descubriendo cosas inesperadas sobre su vida. En la Semana de la Crítica.
Tag "Critics’ Week"
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Venecia 2026: crítica de ‘Zoom In, Zoom Out’ (‘Faxian zhi lü’), de Dong Jie (Settimana della Critica)
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‘Zoom In, Zoom Out’ Venice Review: Searching for a Lost Soul in Digital China
After his roommate disappears, Shi and his girlfriend’s partner search the physical and digital worlds, uncovering unexpected truths about his life. Screening in the Critics Week.
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‘Petrolheads’ Locarno Review: A Bond Forged in Restlessness
A troubled young man with neurological disorders navigates addiction and instability, finding in a loyal friend a fragile anchor amid an increasingly chaotic life.
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‘Six Months In a Pink And Blue Building’ Cannes Review: Bruno Santamaría Rezo’s Autobiographical Film Is Tender, Honest, And Quietly Devastating
A boy navigates first desire and his father’s AIDS diagnosis in early-90s Mexico City. Autobiographical, tender, and quietly devastating.
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‘The Station’ Cannes Review: Survival and Struggle in Yemen’s Civil War
A Yemeni woman runs a women-only gas station amid civil war, fighting to protect her young brother from conscription as violence closes in. In Critics’ Week.
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Cannes 2026: crítica de ‘Al Mahattah’ (‘The Station’), de Sara Ishaq (Semana de la Crítica)
Una mujer yemení dirige una gasolinera solo para mujeres en plena guerra civil, intentando evitar que su hermano menor sea reclutado. En la Semana de la Crítica.
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Cannes 2026: crítica de ‘Du Fioul dans les artères’ (‘Flesh and Fuel’), de Pierre Le Gall (Semana de la Crítica)
Étienne es camionero. Atado a la carretera, su vida amorosa se reduce a encuentros fugaces y anónimos en aparcamientos. Cuando conoce a Bartosz, un camionero polaco, su vida da un vuelco.
