Tras sobrevivir a un ataque racista, una fiscal decide involucrarse personalmente en la investigación y descubre que detrás del hecho podría haber una red organizada.
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Berlinale 2026: crítica de «Prosecution» («Staatsschutz»), de Faraz Shariat (Panorama)
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‘Prosecution’ Berlinale Review: The Case Against Fear
After surviving a racially motivated attack, a state prosecutor takes the investigation into her own hands, uncovering what may be a politically connected network behind the violence.
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‘London’ Berlinale Review: Conversations on the Road
A ride-share driver’s weekly trips between Vienna and Salzburg become a series of intimate encounters that gradually reveal a life shaped by freedom, responsibility, and unresolved choices.
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Berlinale 2026: crítica de «London», de Sebastian Brameshuber (Panorama)
Un hombre va y viene a menudo de Viena a Salzburgo y transforma sus recorridos en viajes compartidos a través de los cuales va conociendo a distintas personas.
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‘Good Luck, Have Fun, Don’t Die’ Review: Save the World, Put Down Your Phone
A disheveled time traveler assembles a reluctant group of citizens to help him stop the inventor of a future AI system that will eventually bring about humanity’s downfall.
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‘Forest High’ Berlinale Review: Solitude at the Edge of the World
Over the course of a year in a remote Alpine refuge, three women caretakers encounter passing travelers—and, in the quiet between arrivals, confront their own solitude, memories, and unspoken desires.
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‘Sad Girlz’ Berlinale Review: The Breaking Point of Innocence
Two teenage swimmers face an emotional rupture after an intimate experience disrupts the fragile balance of their friendship. Winner of the Generation 14plus section at the Berlinale.
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Berlinale 2026: crítica de «Chicas tristes», de Fernanda Tovar (Generation 14plus)
Dos nadadoras adolescentes enfrentan una ruptura emocional cuando una experiencia íntima altera el frágil equilibrio de su amistad. Ganadora de la sección Generation 14plus de la Berlinale.
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Berlinale 2026: crítica de «Forest High» («Forêt Ivre»), de Manon Coubia (Perspectives)
En los Alpes del Norte, Anne, Hélène y Suzanne se turnan para cuidar un refugio de montaña. Con el cambio de las estaciones, los excursionistas van y vienen. Y ellas se quedan.
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‘Josephine’ Berlinale Review: A Sudden End to Innocence
After witnessing a disturbing act of sexual violence, an eight-year-old girl struggles to process what she saw as her family prepares her for the trial that could change everything.


