Set in 1942 France, a reluctant bureaucrat and a defiant priest race against tightening Vichy orders to rescue as many Jewish people as possible.
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‘When the Night Falls’ Review: Saving Children in the Shadows of Vichy
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Cannes 2026: crítica de ‘I’ll Be Home in June’, de Katharina Rivilis (Un Certain Regard)
Una joven alemana, estudiante de intercambio en un pequeño pueblo de Nuevo México enfrenta el choque cultural, el nacionalismo y el primer amor tras el 11 de septiembre.
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‘I’ll Be Home in June’ Cannes Review: A Tender, Honest Portrait of an Unlikely America
A sixteen-year-old German exchange student navigates small-town New Mexico, faith, nationalism, and first love in the weeks following September 11th.
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‘Too Many Beasts’ Cannes Review: A French Noir Comedy That Goes Gloriously Off the Rails
In a small northern French village, a volatile gendarme and an unorthodox psychologist navigate a murderous conflict between hunters and local farmers. Directors’ Fortnight.
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Cannes 2026: crítica de ‘L’Espèce explosive’ (‘Too Many Beasts’), de Sarah Arnold (Quincena de Cineastas)
En un pequeño pueblo francés, un gendarme problemático y una psicóloga poco convencional se cruzan en medio de un conflicto criminal entre cazadores y agricultores.
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‘The Beloved’ Cannes Review: Javier Bardem Anchors a Volatile Father-Daughter Drama
A struggling actress reunites with her estranged filmmaker father to star in his shoot, where buried tensions erupt and personal wounds derail production. Starring Javier Bardem and Victoria Luengo. In Competition.
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Cannes 2026: crítica de ‘El ser querido’, de Rodrigo Sorogoyen (Competición)
Una actriz sin trabajo se reencuentra con su padre cineasta para filmar en el desierto, donde tensiones ocultas y conflictos del pasado estallan. Con Javier Bardem y Victoria Luengo.
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‘The Station’ Cannes Review: Survival and Struggle in Yemen’s Civil War
A Yemeni woman runs a women-only gas station amid civil war, fighting to protect her young brother from conscription as violence closes in. In Critics’ Week.
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‘All the Lovers in the Night’ Cannes Review: A Woman Nobody Sees
A Japanese woman who has spent her whole life going unnoticed learns, slowly and painfully, what it means to be seen. Un Certain Regard
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Cannes 2026: crítica de ‘Al Mahattah’ (‘The Station’), de Sara Ishaq (Semana de la Crítica)
Una mujer yemení dirige una gasolinera solo para mujeres en plena guerra civil, intentando evitar que su hermano menor sea reclutado. En la Semana de la Crítica.
