An Italian doctor returns to Argentina to testify against his torturers, confronting the guilt, trauma and moral ambiguities left by the dictatorship. In Competition.
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‘Back to Buenos Aires’ Venice Review: The Long Shadow of the Dictatorship
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‘Lovers in the Blue Light’ Venice Review: Love in the Shadows of Mumbai
Four Indian migrants navigate love, desire, secrecy, and survival in Mumbai’s dangerous nightlife while searching for connection amid overwhelming loneliness. Screening in Orizzonti.
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‘Meteorite’ Venice Review: Colombian Director Sebastián Múnera Builds a Dreamlike World Haunted by Violence
A Colombian woman recruits her friend for a prison smuggling job, leading them through a strange landscape where reality and memory blur. Venice Critics Week.
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Venecia 2026: crítica de ‘Meteorito’, de Sebastián Múnera (Settimana della Critica)
Una colombiana convence a su amiga de participar en un contrabando carcelario que las lleva por un paisaje extraño donde realidad y memoria se confunden. En la Semana de la Crítica de Venecia.
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‘Oasis: Don’t Look Back in Anger’ Review: A Reunion Bigger Than the Gallaghers
The Gallagher brothers put aside their differences for an Oasis reunion, discovering that their music now belongs as much to their fans as themselves.
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Estrenos: crítica de ‘Oasis: Don’t Look Back in Anger’, de Will Lovelace y Dylan Southern
Los hermanos Gallagher dejan atrás sus diferencias para reunirse con Oasis y descubren que su música ahora pertenece tanto a sus fans como a ellos. Estreno en Argentina: jueves 10 de septiembre.
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Streaming: crítica de ‘Shirley’, de Josephine Decker (Prime Video)
La película de la directora de «Madeline’s Madeline», un peculiar retrato de la escritora Shirley Jackson, es fascinante e irritante en partes iguales. Con Elisabeth Moss, Michael Stuhlbarg, Odessa Young y Logan Lerman.
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Venecia 2026: crítica de ‘One Minute to Midnight’ (‘Un peu avant minuit’), de Nicolas Pariser (Competición)
Varado en París durante una semana, un hombre de casi 50 años reencuentra a viejos colegas y amores, enfrentando cómo el #MeToo resignifica su pasado. Con Melvil Poupaud, Chaira Mastroianni y Anaïs Demoustier.
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‘One Minute to Midnight’ Review: Melvil Poupaud Anchors A Self-Critical, Self-Centered Portrait Of Masculinity In The Age Of #MeToo
Stranded in Paris for a week, a man nearing 50 revisits old colleagues and lovers, confronting how #MeToo reframes his past. Starring Melvil Poupaud and Chaira Mastroianni. In Competition.
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‘What Belongs to Others’ Venice Review: A Place Among Strangers
A desperate thief exploits a tragic misunderstanding for profit, but her fake relationship with a dead man slowly transforms her life forever. Orizzonti.
