A mock documentary about an overlooked Argentine artist evolves into a poignant reflection on creativity, friendship, and the passage of time. Screening in Giornate degli Autori (Venice Days).
Tag "Venice Days"
-
‘The Phantom’ Venice Review: A Witty Meditation on Memory and Artistic Legacy
-
Venecia 2026: crítica de ‘El fantasma’, de Ignacio Masllorens y David Lamelas (Giornate degli Autori)
Un falso documental sobre un artista olvidado del Instituto Di Tella deriva en una conmovedora reflexión sobre creatividad, amistad y el paso del tiempo. En la Giornate Degli Autori. Fuera de competencia.
-
Venecia 2026: crítica de ‘A veces me entra tristeza, otras veces rebelión’, de María Aparicio (Giornate degli Autori)
Eva está de paso por Madrid y allí conoce a Dante, un historiador argentino que investiga las luchas obreras y el trabajo del escritor Juan Bialet Massé. Con Eva Bianco y Roger Koza. El film se presenta en Giornate degli Autori y se verá luego en el Festival de San Sebastián.
-
‘Sometimes Sadness, Sometimes Rebellion’ Venice Review: A Melancholic Meditation on Labor and Migration
Eva is passing through Madrid alone when she meets Dante, an Argentine historian researching labor struggles and the work of Juan Bialet Massé. Also in San Sebastian Film Festival.
-
Venecia 2026: crítica de ‘Agata the Writer’, de Kuba Dorabialski (Giornate degli Autori)
Mientras investiga una novela en Sarajevo, una escritora australiana descubre que comprender el pasado de una ciudad implica cuestionar su derecho a narrarlo. Con Mia Wasikowska y Mia Morrissey.
-
‘Agata the Writer’ Venice Review: Mia Wasikowska Leads a Bold Inquiry Into Art and Responsibility
While researching a novel in Sarajevo, an Australian writer discovers that understanding a city’s past means questioning her own right to tell it. In Venice Days.
-
‘The Indes’ Venice Review: A Mesmerizing and Savage Historical Odyssey
Carrying a royal portrait to Louis XIV, a sheltered aristocrat embarks on a perilous and violent journey that transforms diplomacy into a nightmare. In Venice Days.
-
‘Vanilla’ Venice Review: Mayra Hermosillo’s tender ode to unusual families
Mixing humor, intimacy, and the weight of economic struggle, this Mexican film turns everyday moments into a coming-of-age tale full of color and humanity.
-
‘Last Night I Conquered the City of Thebes’ Venice Review: Gabriel Azorín Finds Intimacy in the Ruins
A lyrical film about war, memory, and the fragile intimacy between men, Gabriel Azorín’s first movie unfolds in the hushed atmosphere of a bathhouse.
-
‘Writing Life’ Venice Review: Claire Simon Captures Annie Ernaux in the Classroom
Claire Simon’s documentary enters French classrooms to observe how teenagers read and debate the works of Nobel laureate Annie Ernaux, finding echoes of their own lives in her brutally honest prose.
