A writer, a telescope, and imagined betrayals collide as Farhadi stretches a clever premise into a sprawling, exhausting meditation on fiction, truth, and illusion. Starring Isabelle Huppert, Virginie Efira and Vincent Cassel. Competition.
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‘Parallel Tales’ Cannes Review: Farhadi’s Overwrought Meta-Drama Collapses Under Its Own Design
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Cannes 2026: crítica de ‘Quelques mots d’amour’ (‘Words of Love’), de Rudi Rosenberg (Un Certain Regard)
Abandonada por su padre antes de poder conocerlo, una niña pasa su infancia buscando a un hombre que ha elegido, deliberadamente, no ser encontrado. Con Hafsia Herzi.
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‘Words of Love’ Cannes Review: Looking for Love in All the Wrong Places
Abandoned by her father before she could know him, a girl spends her childhood chasing a man who has chosen, deliberately, not to be found. Un Certain Regard.
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Cannes 2026: crítica de ‘Viva’, de Aina Clotet (Semana de la Crítica)
En un futuro cercano con sequías, una mujer en remisión abraza el riesgo, el sexo y el cambio, desestabilizando su vida en clave de comedia.
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‘Viva’ Cannes Review: A Tonally Wild Search for Feeling
In a near-future marked by drought, a cancer survivor embraces risk, sex, and reinvention, destabilizing her life in an erratic, darkly comic journey. Critics’ Week.
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‘Nagi Notes’ Cannes Review: Koji Fukada Finds Intimacy and Upheaval in a Town Far From Tokyo
In a quiet town seven hours from Tokyo, two women, two teenagers, and one father navigate unspoken desires in the days before spring. Competition.
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Cannes 2026: crítica de ‘Nagi Notes’, de Kôji Fukada (Competición)
En un pueblo a siete horas de Tokio, dos mujeres, dos adolescentes y un padre solitario navegan deseos silenciosos en los días previos a la primavera. En Competición.
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‘A Woman’s Life’ Cannes Review: The Discreet Anxiety of the Bourgeoisie
A successful doctor’s controlled world begins to fray as work pressures, family crises, and an unexpected connection reveal the emotional cost of keeping everything in place. In Competition.
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Cannes 2026: crítica de ‘La vie d’une femme’ (‘A Woman’s Life’), de Charline Bourgeois-Tacquet (Competición)
Una médica exitosa ve resquebrajarse su mundo entre trabajo, familia y deseo, descubriendo el costo emocional de sostener una vida aparentemente bajo control. Con Lea Drucker.
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‘Teenage Sex and Death at Camp Miasma’ Cannes Review: The Final Girl Theory
A filmmaker travels to meet the star of a cult horror franchise and recruit her for a sequel, in this extravagant love letter to ’80s slasher cinema. Starring Hannah Einbinder and Gillian Anderson. Un Certain Regard.


