A young Texas pastor shelters homeless people in his church, forcing a divided community to confront its prejudices, fears and Christian values.
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‘Down the Arm of God’ Locarno Review: Caleb Landry Jones Shines in Powerful Homelessness Drama
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Locarno 2026: crítica de ‘The Riverbank’ (‘A Margem do Rio’), de Enock Carvalho y Matheus Farias (Competición Internacional)
Un empleado gay de una iglesia enfrenta la fe conservadora y el deseo clandestino mientras dos mundos opuestos chocan con consecuencias inquietantes y peligrosas. En competición en el Festival de Locarno.
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‘The Riverbank’ Locarno Review: An Eerie Journey Into Brazil’s Divided Soul
A closeted church employee’s nightly visits to a forbidden riverside unleash a haunting collision between evangelical morality, sexuality and hidden violence.
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‘Objet A’ Locarno Review: A Bizarre Anatomy of Sex and Desire
Two cold, eccentric surgeons invite a mysterious young woman into their lives, unleashing buried fetishes as their clinical world slowly begins to unravel.
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Locarno 2026: crítica de ‘Objet A’, de Ann Oren (Competición Internacional)
Una pareja de cirujanos fríos y excéntricos incorpora a una misteriosa joven a sus vidas, desatando fetiches ocultos mientras su mundo clínico comienza lentamente a desmoronarse.
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‘September Afternoon’ Locarno Review: A Beach Day Stretched to Collapse
A family’s windy beach day unfolds in real time, as Nicolaas Schmidt transforms banal routines into tense, absurd, and unexpectedly high-stakes experiences.
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Locarno 2026: crítica de ‘September Afternoon’, de Nicolaas Schmidt (Cineasti del Presente)
Un día ventoso en la playa se despliega en tiempo real, mientras el realizador convierte rutinas banales en experiencias tensas, absurdas e inesperadamente intensas.
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‘Petrolheads’ Locarno Review: A Bond Forged in Restlessness
A troubled young man with neurological disorders navigates addiction and instability, finding in a loyal friend a fragile anchor amid an increasingly chaotic life.
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‘Asphalt Guerrilla’ Locarno Review: A Punk Essay on Cinema and Resistance
A restless Portuguese filmmaker revisits his failed attempts to make a political film, exploring cinema, resistance, authorship, and AI-generated images.
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Locarno 2026: crítica de ‘Guerrilha no Asfalto’, de Edgar Pêra (Fuera de Concurso)
Un inquieto realizador portugués revisita sus intentos fallidos de hacer una película política, explorando el cine, la resistencia, la autoría y las imágenes generadas por IA.



