In 1972, filmmaker William Greaves gathered the last survivors of the Harlem Renaissance for one final reunion — and kept the cameras rolling. Directors’ Fortnight.
Tag "Quinzaine des Cineastes"
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‘Once Upon A Time In Harlem’ Cannes Review: The Harlem Renaissance Document William Greaves Never Finished Is Worth The Wait
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Cannes 2026: crítica de ‘Red Rocks’ (‘Les roches rouges’), de Bruno Dumont (Quinzaine des Cineastes)
El realizador francés posa su cámara sobre un grupo de niños de cinco y seis años que deambulan solos por un pueblo de la Riviera francesa.
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‘Red Rocks’ Cannes Review: Bruno Dumont’s Warmest Film Yet Is A Sun-Soaked Ode To Childlike Wonder
The French director turns his camera on a group of five-year-olds roaming a sun-drenched French Riviera town, entirely on their own. In Directors’ Fortnight.
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‘Death Has No Master’ Cannes Review: Asia Argento Commands This Brooding But Slow-Burning Postcolonial Western
A European woman’s bid to sell her Venezuelan inheritance ignites a brutal postcolonial standoff between two irreconcilable worlds. Directors’ Fortnight.
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Cannes 2026: crítica de ‘9 Temples to Heaven’, de Sompot Chidgasornpongse (Quincena de Cineastas)
Un hombre lleva a su madre enferma y a nueve miembros de su familia a una peregrinación de un solo día a nueve templos de Bangkok después de que su jefe prediga que podría morir pronto.
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‘La perra’ Cannes Review: Dominga Sotomayor Returns with a Lyrical and Unsettling Drama
After her dog disappears, a woman’s search on a windswept island triggers memories of youth, revealing hidden wounds that quietly define her present life.
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‘Too Many Beasts’ Cannes Review: A French Noir Comedy That Goes Gloriously Off the Rails
In a small northern French village, a volatile gendarme and an unorthodox psychologist navigate a murderous conflict between hunters and local farmers. Directors’ Fortnight.
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Cannes 2026: crítica de ‘La libertad doble’, de Lisandro Alonso (Quincena de Cineastas)
Cuando un hombre debe cuidar a su hermana con problemas de salud mental en un contexto sin contención estatal, su vínculo incierto se convierte en una reflexión sobre la supervivencia, la familia y la libertad.
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‘La libertad doble’ Cannes Review: Lisandro Alonso’s Quiet Cinema Confronts a Country Falling Apart
When a man is forced to care for his mentally ill sister in a world without institutional support, their uneasy bond becomes a meditation on family and freedom.
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Cannes 2026: crítica de «Shana», de Lila Pinell (Quincena de Cineastas)
Una mujer impulsiva e impredecible atraviesa el duelo, problemas económicos y una relación asfixiante en un retrato crudo de una vida al límite.
